Chrisma - lola / black silk stocking - Pleasure Dome | Search Results - Pdome.com


THE MARKED
named for the conspicuous birthmarks of both frontman Billy Corgan and drummer Ron Roesing.

THE MARS VOLTA
Cedric Bixler-Zavala stated in an interview ...“ The Volta is taken from a Federico Fellini book about his films, what he characterizes as a changing of scene, or a turnaround; a new scene to him is called Volta. Y'know, changing of time and the changeover. And Mars, we're just fascinated by science fiction.....”

THE MARTELLS
Named after Canadian teen pop idol Bobby Curtola's manager, Maria Martell.

In June 2000 the band opened their website, . Arcieri made a comeback attempt with "Re-Birth," a solo project, around the same time. The single Kara was released in 2001 in both Italian and English versions. In 2002 Krisma collaborated with the Turin -based band Subsonica on the track Nuova Ossessione .

Krisma  (formerly Chrisma) is an Italian musical  New Wave  -  electronic  group founded by  Maurizio Arcieri  and Christina Moser in 1976.

Connect your Spotify account to your account and scrobble everything you listen to, from any Spotify app on any device or platform.

Review
Chrisma (and later Krisma) were a kind of early Italian incarnation of Moloko. Both are boy/girl combinations making slightly wacky albums, where the focus is more on style and a certain weird cool image rather than being musically very interesting. The band-name is constructed from the first names of Christina Moser and Maurizio Arcieri, who also claim a punk-influence when starting out with the band in 1976. Well, maybe……we'll have to take their word for it, as it certainly doesn't show up in their music, which is more like synth-pop. Which brings us to the Vangelis connection, the nature of which has been a hot topic in Vangelis-related discussions for years.
Apparently, Polydor's Italian branch signed the group after which they were contacted by Niko Papathanassiou (Vangelis' older brother, who was employed by Polydor at the time) who proceeded to be involved in their first two projects "Chinese Restaurant" and "Hibernation" as arranger, producer and multi-instrumentalist. Niko persuaded Vangelis to lend them his Nemo studio during the 1977 summer holiday period to record what would become the "Chinese Restaurant" album (although the finishing touches were applied in a Milan studio). Vangelis' regular engineer at the time, Keith Spencer-Allen, helped out technically and computer-narrated the final "Thank You" track, his then girl-friend Veronique Skawinska took the large number of photographs featured on the gatefold-sleeve and Niko was allowed to use his brother's synthesizer set-up. That, in all likelihood, is the whole story, because if indeed Vangelis played some of the music himself, it is inaudible. The only real candidate for this anyway is the track called "Lycee" which at least obviously uses his instruments (slight echoes of "Beaubourg" here). But the actual, rather hesitant-sounding playing on it doesn't bear Vangelis' signature unless, extremely unlikely, he really didn't put his mind to it or something. The other tracks don't sound like they even used the Nemo instruments, or at best only occasionally.
Vangelis switched to Polydor himself the next year (continuing the "China" theme for his first project there) and asked Christina and Maurizio to return the favour on his 1980 "See You Later" album, where apparently they provided the Italian lyrics and voices at the end of "Suffocation". Interestingly, that album is almost Chrisma-like in its wackiness, so it could well be a fair guess that, over the course of all those Chinese dinners, they might have talked Vangelis into doing something different on the rather odd "See You Later".
At least on that album there's some decent music, which can't really be claimed for "Chinese Restaurant". The whole affair sounds rather bland, neither Christina nor Maurizio (who obviously took a leaf out of the book of Fleetwood Mac's Lindsay Buckingham) are great vocalists, and the song-material is average at best. "Lola" is a decent song, the mere usage of Vangelis-sounds is enough to inject a bit of atmosphere in "Lycee" and poor Keith Spencer-Allen must have been bribed ("2 Chinese meals for free !") into parodying his contribution to "Albedo " on the final "Thank You". But this band was always more to do with style than content, and probably succeeded there.


Chrisma - Lola / Black Silk StockingChrisma - Lola / Black Silk StockingChrisma - Lola / Black Silk StockingChrisma - Lola / Black Silk Stocking

qz.lestroisanges.info